Spring 2007, Vol. 26, No. 1

THE SILVER JUBILEE ISSUE:
What We Have Done & Where We Are Going

From the Editor, 7-9 [full preface]
Laura M. Stevens

Articles

From a Former Editor’s Perspective: Women’s Literary History, Continued, 11-14 [abstract]
Shari Benstock with Suzanne Ferriss

What Difference(s) Did “She” Make? Or, My Aunt, the Dragon, 15-22 [abstract]
Holly A. Laird

Treason Our Text: A Preposthumous View, 23-27 [abstract]
Lillian S. Robinson with Douglas Michael Massing

The Personal Is Political, the Past Has Potential, and Other Thoughts on Studying Women’s Literature–Then and Now, 29-38 [abstract]
Frances Smith Foster

Professionalizing Feminism: What a Long, Strange Journey It Has Been, 39-51 [abstract]
Elizabeth Deeds Ermarth

SOFA: Toward a History of the Future, 53-60 [abstract]
Mary Louise Pratt

Ancient Roman Women’s Writings Sub Specie XXV Annorum, 61-65 [abstract]
Judith P. Hallett

Medieval Feminism in Middle English Studies: A Retrospective, 67-79 [abstract]
Elizabeth Robertson

Risky Business: Feminism Now and Then, 81-86 [abstract]
Felicity Nussbaum

Women Writers ≠ Women Novelists, 87-95 [abstract]
Susan Staves

Bound by Convention: Women’s Writing and the Feminine Voice in Eighteenth-Century China, 97-105 [abstract]
Maram Epstein

Writing Women in Early American Studies: On Canons, Feminist Critique, and the Work of Writing Women into History, 107-118 [abstract]
Carla Mulford

Native Women Writing: Reading Between the Lines, 119-125 [abstract]
Hilary E. Wyss

Archives

An Introduction to The Orlando Project, 127-134
Susan Brown, Patricia Clements, Isobel Grundy, Sharon Balazs, and Jeffrey Antoniuk

Innovations

The Story of the Orlando Project: Personal Reflections, 135-143
Susan Brown, Patricia Clements, Isobel Grundy, Sharon Balazs, and Jeffrey Antoniuk

Reviews

Rooms of Our Own, by Susan Gubar, 145-147
Suzette Henke

Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilizations, Modernity, by Christine Froula, 147-149
Jessica Berman

A History of Twentieth-Century British Women’s Poetry, by Jane Dowson and Alice Entwistle, 149-150
William May

The Spectacular Modern Woman: Feminine Visibility in the 1920s, by Liz Conor, 150-154
Jane Garrity

Speaking Power: Black Feminist Orality in Women’s Narratives of Slavery, by DoVeanna S. Fulton, 154-155
Teresa Zackodnik

Representing Female Artistic Labour, 1848-1890: Refining Work for the Middle-Class Woman, by Patricia Zakreski, 156-157
Christine Bayles Kortsch

Political Speaking Justified: Women Prophets and the English Revolution, Teresa Feroli, 158-160
Hilda L. Smith

Web Systems (643)

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