Fall 2001, Vol. 20, No. 2


From the Editor, 183-187
Holly Laird


The Colonial Outsider: “Malgérie” in Hélène Cixous’s Les rêveries de la femme sauvage, 189-200 [abstract]
Jennifer Yee

Writing Self, Writing Nation: Imagined Geographies in the Fiction of Hanan al-Shaykh, 201-216 [abstract]
Ann Marie Adams

Beautiful Labors: Lyricism and Feminist Revisions in Eavan Boland’s Poetry, 217-236 [abstract]
Christy Burns

Problems of Prose Modernism and Frigidity in Stina Aronson’s “The Fever Book” and Edith Øberg’s “Man in Darkness,237-252 [abstract]
Ellen Rees

Rooms of Their Own: How Colette Uses Physical and Textual Space to Question a Gendered Literary Tradition, 253-278 [abstract]
Helen Southworth


Narrative of Spanish Women Writers of the Nineties: An Overview, 279-295
Carmen de Urioste


Sisters and Rivals in British Women’s Fiction, 1914-39, by Diana Wallace, 297-298
Tess Cosslett

Women Coauthors, by Holly A. Laird, 298-300
George E. Haggerty

Auto/Biographical Discourses: Theory, Criticism, and Practice, by Laura Marcus, 300-301
Mary Jean Corbett

Willa Cather: The Writer and Her World, by Janis P. Stout; Willa Cather’s New York: New Essays on Cather in the City, edited by Merrill Maguire Skaggs, 301-305
Linda E. Chown

Jane Barker, Exile: A Literary Career, 1675-1725, by Kathryn R. King, 305-307
Josephine Donovan

Gender Matters: Female Policymakers’ Influence in Industrialized Nations, by Valerie O’Regan, 307-308
Renee A. Miller

Against Amnesia: Contemporary Women Writers and the Crisis of Historical Memory, by Nancy J. Peterson, 309-311
Lois Parkinson Zamora

Spring 2001, Vol. 20, No. 1

From the Editor, 5-10
Holly Laird


Placing Their Feminism in the Southern Appalachian Mountains: Emma Bell Miles, Grace MacGowan Cooke, and the Roots of Ecological Feminism, 11-31 [abstract]
Elizabeth S. D. Engelhardt

Miss Robins and Mrs. Brown, 33-55 [abstract]
Sue Thomas

Negotiating Victorian Feminism: Anne Thackeray Ritchie’s Short Fiction, 57-75 [abstract]
Manuela Mourão

Moving Dangerously: Mobility and the Modern Woman, 77-92 [abstract]
Wendy Parkins

“Burn what they should not see”: The Private Journal as Public Text in A. S. Byatt’s Possession, 93-106 [abstract]
Adrienne Shiffman

Oral Sex: Vampiric Transgression and the Writing of Angela Carter, 107-121 [abstract]
Sarah Sceats


“bequeath myself to the dirt to grow from the grass I love”: The Whitman-Cather Connection in O Pioneers!, 123-136
Maire Mullins


Dirt and Desire: Reconstructing Southern Women’s Writing, 1930-1990, by Patricia Yaeger, 137-139
Tammy Evans

The Life of Marie d’Agoult, Alias Daniel Stern, by Phyllis Stock-Morton, 140-141
Kathryn J. Crecelius

Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education edited by Wayne K. Chapman and Janet M. Manson, 141-146
Eileen Barrett

Shattered Subjects: Trauma and Testimony in Women’s Life-Writing, by Suzette Henke, 146-147
Sara Blair

The Aesthetics of Toni Morrison: Speaking the Unspeakable, edited by Marc C. Conner, 148-150
Althea Tait

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]