From the Editor, 183-188
Holly Laird

Articles

Bodies on the Move: A Poetics of Home and Diaspora, 189-212 [abstract]
Susan Stanford Friedman

Producing Feminine Virtue: Strategies of Terror in Writings by Madame de Genlis, 213-236 [abstract]
Lesley H. Walker

“Cousins in Love, &c.” in Jane Austen, 237-259 [abstract]
Mary Jean Corbett

“Narrat[ing] Some Poor Little Fable”: Evidence of Bodily Pain in The History of Mary Prince and ‘Wife-Torutre in England.’, 261-281 [abstract]
Janice Schroeder

Conflict and Ambiguity in Victorian Women’s Writing: Eliza Lynn Linton and the Possibilities of Agnosticism, 283-310 [abstract]
Sarah J. Bilston

Lorine Niedecker, Simone de Beauvoir, and the Sexual Ethics of Experience, 311-337 [abstract]
G. Matthew Jenkins

Re-membering Cassandra, or Oedipus Gets Hysterical: Contestatory Madness and Illuminating Magic in Angela Carter’s Nights at the Circus, 339-369 [abstract]
Jennifer Gustar

Reviews

Incest and the English Novel, 1684-1814, by Ellen Pollack, 371-373
Theresa Braunschneider

Domesticity, Imperialism, and Emigration in the Victorian Novel, by Diana C. Archibald, 373-375
Catherine J. Golden

Modernism and Cultural Conflict, 1880-1922, by Ann Ardis, 375-377
Talia Schaffer

Step-Daughters of England: British Women Modernists and the National Imaginary, Jane Garrity, 377-379
Eileen Barrett

The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism by Nicola Humble, 379-382
Trysh Travis

Middlebrow Moderns: Popular American Women Writers of the 1920s, edited by Lisa Botshon and Meredith Goldsmith, 379-382
Trysh Travis

Elizabeth Bowen: The Shadow Across the Page,by Maud Ellmann, 382-384
Jeanette Roberts Shumaker

Women’s Experience of Modernity, 1875-1945, by Ann L. Ardis and Leslie W. Lewis, 384-386
Stella Deen

Her Husband: Hughes and Plath–A Marriage, by Diane Middlebrook, 386-387
Dianne Hunter

A Desire for Women: Relational Psychoanalysis, Writing, and Relationships Between Women, by Suzanne Juhasz; HerSpace: Women, Writing, and Solitude, edited by Jo Malin and Victoria Boynton, 388-393
Patricia Moran

Zarathustra’s Sisters: Women’s Autobiography and the Shaping of Cultural History, by Susan Ingram, 393-394
Joan Givner

WHERE IN THE WORLD IS TRANSNATIONAL FEMINISM?

Where in the World Is Transnational Feminism?, 7-12
Shirley Goek-lin Lim

Articles

Consuming Passions: Reconciliation in Women’s Intellectual Memior, 13-28 [abstract]
Gillian Whitlock

Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s An Occasional Orchid and Stella Kon’s Emily of Emerald Hill on the Singapore Stage, 29-43 [abstract]
Kenneth Chan

“Personalized Writing” and Its Enthusiastic Critic: Women and Writing of the Chinese “Post-New Era,” 45-64 [abstract]
Yi Zheng

Literary Regionalism and Global Capital: Nineteenth-Century U. S. Women Writers, 65-89 [abstract]
Marjorie Pryse

Contingencies of Dispersed Identity in Lydia Minatoya’s The Strangeness of Beauty, 91-105 [abstract]
Jane Lilienfield

Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London, 107-120 [abstract]
Susan Alice Fischer

Drag and the Politics of Identity and Desire in Singapore Theatre: A Conversation with Ivan Heng, 121-134
Kenneth Chan

Reviews

The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century, by Felicity A. Nussbaum, 135-137
Cynthia Richards

Women, Work and Representation: Needlewomen in Victorian Art and Literature, by Lynn M. Alexander, 138-139
Sarah Webster Goodwin

Same-Sex Desire in Victorian Religious Culture, by Frederick S. Roden, 139-141
Margaret D. Stetz

The Reception of Virginia Woolf in Europe, edited by Mary Ann Caws and Nicola Luckhurst; Lily Briscoe’s Chinese Eyes: Bloomsbury, Modernism and China, by Patricia Laurence, 141-143
Helen Southworth

The Poetics of Enclosure: American Women Poets from Dickinson to Dove, by Lesley Wheeler, 143-144
Renée Olander

Women and Self: Fictions of Jean Rhys, Barbara Pym, Anita Brookner, by Rajni Walia, 144-146
Marcia K. Farrell

Muriel Rukeyser’s “The Book of the Dead,” by Tim Dayton, 146-148
Meryl Altman

From the Editor, 263-270
Holly Laird

Articles

Editing Early Modern Women Writers

“And Thus Leave Off”: Reevaluating Mary Wroth’s Folger Manuscript, V.a.104, 273-291 [abstract]
Heather Dubrow

Terrible Texts, “Marginal” Works, and the Mandate of the Moment: The Case of Eliza Haywood, 293-314 [abstract]
Alexander Pettit

Confined and Exposed: Elizabeth Carter’s Classical Translations, 315-334 [abstract]
Jennifer Wallace

“I am Equally Weary of Confinement”: Women Writers and Rasselas from Dinarbus to Jane Eyre, 335-356 [abstract]
Jessica Richard

Granny at Seventeen: Mary Sarton’s Early Encounters with the Land of Old Age, 357-370 [abstract]
Sylvia Henneberg

The Eroticism of Class and the Enigma of Margaret Atwood’s Alias Grace, 371-386 [abstract]
Sandra Kumamoto Stanley

Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction, 387-408 [abstract]
Novian Whitsitt

Reviews

Analyzing Freud: Letters of H.D., Bryher, and Their Circle, edited by Susan Stanford Friedman, 409-411
Ann L. Ardis

Modernist Women and Visual Cultures: Virgina Woolf, Vanessa Bell, Photography and Cinema, by Maggie Humm, 411-416
Diane Burton

Shirley Jackson’s American Gothic, by Darryl Hattenhauer, 416-417
Stephanie Branson

The Bleeding of America: Menstruation as Symbolic Economy in Pynchon, Faulkner, and Morrison, by Dana Medro, 417-419
Olivia Martin-Phillips

Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith, by Paula Gallant Eckard, 419-423
Dorothy M. Scura

Revising Women: Eighteenth-Century “Women’s Fiction” and Social Engagement, edited by Paula R. Backscheider, 423-425
Rikki Noel-Williams

From the Editor, 7-11
Holly Laird

Archives

Ann Yearsley and the Politics of Patronage, The Thorp Arch Archive: Part II, 13-56
Frank Felsenstein

Articles

Lesbian Criticism and Feminist Criticism: Readings of Millenium Hall, 57-80 [abstract]
Sally O’Driscoll

Bachelors and “Old Maids”: Antirevolutionary British Women Writers and Narrative Authority after the French Revolution, 81-98 [abstract]
Lisa Wood

“So Minute and Yet So Alive”: Domestic Modernity in E.H. Young’s William, 99-120 [abstract]
Stella Deen

Mad and Modern: A Reading of Emily Holmes Coleman and Antonia White, 121-147 [abstract]
Kylie Valentine

Homoerotics of Influence: Eudora Welty Romances Virginia Woolf, 149-171 [abstract]
Shameem Black

“The Hero is Married and Ascends the Throne”: The Economics of Narrative End in Shirley Jackson’s We Have Always Lived in the Castle, 173-191 [abstract]
Honor McKitrick Wallace

Review Essay

Yes, Miss Burney, 193-201
Betty Rizzo

Reviews

Feminism Beyond Modernism, by Elizabeth A. Flynn, 203-206
Margaret D. Stetz

Melanie Klein, by Julia Kristeva, 206-209
J. M. Baker, Jr.

Rethinking Women’s Collaborative Writing: Power, Difference, Propery, by Lorraine York, 209-211
Janice Doan and Devon Hodges

Influencing America’s Tastes: Realism in the Works of Wharton, Cather and Hurst, by Stephanie Lewis Thompson, 211-214
Michael H. Berglund

Jane Austen and the Theatre, by Penny Gay, 214-216
Maria H. Frawley

Suniti Namjoshi: The Artful Transgressor, by C. Vijayasree, 216-217
Ruth Vanita

Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction, by Debra Rae Cohen, 218-219
Geneviève Brassard

Eat My Words: Reading Women’s Lives Through the Cookbooks They Wrote, by Janet Theophano, 220-221
Patricia Moran

The Adoption Issue

From the Editor, 227-230
Holly Laird

Articles

Preface, 231-236
Holly Laird

One’s Own: Reflections on Motherhood, Owning, and Adoption, 237-255 [abstract]
Janet Beizer

Adoption and Essentialism, 257-274 [abstract]
Margaret Homans

Ending in the Middle: Revisioning Adoption in Binjamin Wilkomirski’s Fragments and Anne Michaels’s Fugitive Pieces, 275-300 [abstract]
Barbara L. Estrin

Papadada: Reinventing the Family, 301-317 [abstract]
Andrew Elfenbein and John Watkins

All of Us Are Real: Old Images in a New World of Adoption, 319-331 [abstract]
Susan Bordo

Dolphins, Dying Rooms, and Destablized Demographics, Or: Loving Anna in a Transmodern World, 333-345 [abstract]
Alice Jardine

Archives

Ann Yearsley and the Politics of Patronage: The Thorp Arch Archive, Part I, 346-392
Frank Felsenstein

Reviews

Imagining Adoption: Essays on Literature and Culture, edited by Marianne Novy, 393-395
J. M. Baker, Jr.

Doing Time: Feminist Theory and Postmodern Culture, by Rita Felski, 396-399
Jennifer L. Fleissner

British Women’s Comic Fiction, 1890-1990: Not Drowning, But Laughing, by Margaret D. Stetz; Women, Modernism, and British Poetry, 1910-1939: Resisting Femininity, by Jane Dowson, 399-402
Laura Severin

Contemporary Women’s Poetry: Reading/Writing/Practice, edited by Alison Mark and Deryn Rees-Jones, 402-404
Steven Gould Axelrod

A Gendered Collision: Sentimentalism and Modernism in Dorothy Parker’s Poetry and Fiction, by Rhonda S. Pettit, 404-405
Suzanne L. Bunkers

Staging Domesticity: Household Work and English Identity in Early Modern Drama, by Wendy Wall, 405-407
Nancy Bunker

Feminist Metafiction and the Evolution of the British Novel, by Joan Douglas Peters, 407-409
Theresa Braunschneider

Home Matters: Longing and Belonging, Nostalgia and Mourning in Women’s Fiction, Roberta Rubinstein, 410-411
Pauline T. Newton

Spiritual Interrogations: Culture, Gender, and Community in Early African American Women’s Writing, by Katherine Clay Bassard, 411-414
Katy L. Chiles

FEMINISM AND TIME

From the Editor: Feminism and Time, 5-12
Holly Laird

Articles

Feminist Futures?, 13-20 [abstract]
Elizabeth Grosz

Telling Time in Feminist Theory, 21-28 [abstract]
Rita Felski

Feminism, Ethics, and History, or What Is the “Post” in Postfeminism?, 29-44 [abstract]
Misha Kavka

Is Feminism a Historicism?, 45-66 [abstract]
Jennifer L. Fleissner

Gendering Time in Globalization: The Belatedness of the Other Woman and Jamaica Kincaid’s Lucy, 67-83 [abstract]
Betty Joseph

Found Footage: Feminism Lost in Time, 85-98 [abstract]
Dana Heller

Refusing History at the End of the Earth: Ursula Le Guin’s “Sur” and the 2000-01 Women’s Antarctica Crossing, 99-121 [abstract]
Elena Glasberg

Reviews

Women’s Writing of the First World War: An Anthology, edited by Angela K. Smith; The Second Battlefield: Women, Modernism, and the First World War, by Angela K. Smith, 123-128
Geneviève Brassard

Lesbian Empire: Radical Crosswriting in the Twenties, by Gay Wachman, 128-129
Robin Hackett

Feminism and Film, edited by E. Ann Kaplan, 129-133
Jeffrey S. Longacre

The Language of Inquiry, by Lyn Hejinian, 133-136
Lynn Keller

Traditions of Victorian Women’s Autobiography: The Poetics and Politics of Life Writing, by Linda H. Peterson, 137-140
Carol Hanbery MacKay

The Bitch is Back: Wicked Women in Literature, by Sarah Appleton Aguiar, 140-142
Elizabeth McGeachy Mills

Advancing Sisterhood? Interracial Friendships in Contemporary Southern Fiction, by Sharon Monteith, 142-144
Ivy Schweitzer

WOMEN WRITING ACROSS THE WORLD

From the Editor, 183-187
Holly Laird

Articles

The Colonial Outsider: “Malgérie” in Hélène Cixous’s Les rêveries de la femme sauvage, 189-200 [abstract]
Jennifer Yee

Writing Self, Writing Nation: Imagined Geographies in the Fiction of Hanan al-Shaykh, 201-216 [abstract]
Ann Marie Adams

Beautiful Labors: Lyricism and Feminist Revisions in Eavan Boland’s Poetry, 217-236 [abstract]
Christy Burns

Problems of Prose Modernism and Frigidity in Stina Aronson’s “The Fever Book” and Edith Øberg’s “Man in Darkness,” 237-252 [abstract]
Ellen Rees

Rooms of Their Own: How Colette Uses Physical and Textual Space to Question a Gendered Literary Tradition, 253-278 [abstract]
Helen Southworth

Archives

Narrative of Spanish Women Writers of the Nineties: An Overview, 279-295
Carmen de Urioste

Reviews

Sisters and Rivals in British Women’s Fiction, 1914-39, by Diana Wallace, 297-298
Tess Cosslett

Women Coauthors, by Holly A. Laird, 298-300
George E. Haggerty

Auto/Biographical Discourses: Theory, Criticism, and Practice, by Laura Marcus, 300-301
Mary Jean Corbett

Willa Cather: The Writer and Her World, by Janis P. Stout; Willa Cather’s New York: New Essays on Cather in the City, edited by Merrill Maguire Skaggs, 301-305
Linda E. Chown

Jane Barker, Exile: A Literary Career, 1675-1725, by Kathryn R. King, 305-307
Josephine Donovan

Gender Matters: Female Policymakers’ Influence in Industrialized Nations, by Valerie O’Regan, 307-308
Renee A. Miller

Against Amnesia: Contemporary Women Writers and the Crisis of Historical Memory, by Nancy J. Peterson, 309-311
Lois Parkinson Zamora

From the Editor, 5-10
Holly Laird

Articles

Placing Their Feminism in the Southern Appalachian Mountains: Emma Bell Miles, Grace MacGowan Cooke, and the Roots of Ecological Feminism, 11-31 [abstract]
Elizabeth S. D. Engelhardt

Miss Robins and Mrs. Brown, 33-55 [abstract]
Sue Thomas

Negotiating Victorian Feminism: Anne Thackeray Ritchie’s Short Fiction, 57-75 [abstract]
Manuela Mourão

Moving Dangerously: Mobility and the Modern Woman, 77-92 [abstract]
Wendy Parkins

“Burn what they should not see”: The Private Journal as Public Text in A. S. Byatt’s Possession, 93-106 [abstract]
Adrienne Shiffman

Oral Sex: Vampiric Transgression and the Writing of Angela Carter, 107-121 [abstract]
Sarah Sceats

Archives

“bequeath myself to the dirt to grow from the grass I love”: The Whitman-Cather Connection in O Pioneers!, 123-136
Maire Mullins

Reviews

Dirt and Desire: Reconstructing Southern Women’s Writing, 1930-1990, by Patricia Yaeger, 137-139
Tammy Evans

The Life of Marie d’Agoult, Alias Daniel Stern, by Phyllis Stock-Morton, 140-141
Kathryn J. Crecelius

Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education edited by Wayne K. Chapman and Janet M. Manson, 141-146
Eileen Barrett

Shattered Subjects: Trauma and Testimony in Women’s Life-Writing, by Suzette Henke, 146-147
Sara Blair

The Aesthetics of Toni Morrison: Speaking the Unspeakable, edited by Marc C. Conner, 148-150
Althea Tait

From the Editor, 183-185
Holly Laird

Articles

Forum: Problems of Beauty in Feminist Studies

Preface, 187-189
Holly Laird

Wounded Beauty: An Exploratory Essay on Race, Feminism, and the Aesthetic Question, 191-217 [abstract]
Anne Anlin Cheng

Feminists in Brideland, 219-230 [abstract]
Lisa Walker

“Say That I Had a Lovely Face”: The Grimms’ “Rapunzel,” Tennyson’s “Lady of Shalott,” and Atwood’s Lady Oracle, 231-254 [abstract]
Shuli Barzilai

Sho-Lo Showdown: The Do’s and Don’ts of Lesbian Chic, 255-268 [abstract]
Jodi R. Schorb and Tania N. Hammidi

How Do We Keep Desire from Passing with Beauty?, 269-284 [abstract]
Pamela L. Caughie

Mirrors, Marriage, and Nostalgia: Mother-Daughter Relations in Writings by Isabelle de Charrière and Elisabeth Vigée-Lebrun, 285-313 [abstract]
Katharine Ann Jensen

Mothering Desire: The Romance Plot in Margaret Atwood’s The Handmaid’s Tale and Susan Fromberg Schaeffer’s The Madness of a Seduced Woman, 315-336 [abstract]
Sarah R. Morrison

Reviews

Dancing at the Devil’s Party: Essays on Poetry, Politics, and the Erotic, by Alicia Suskin Ostriker, 337-338
Estella Lauter

Royal Representations: Queen Victoria and British Culture, 1837-1876, by Margaret Homans, 338-342
Susan T. Barstow

Jane Austen and the Fiction of Her Time, by Mary Waldron, 342-345
Allen Bauman

The Culture of Christina Rossetti: Female Poetics and Victorian Contexts, edited by Mary Arseneau, Anthony H. Harrison, and Lorraine Janzen Kooistra, 345-347
Toni Van Der Moere

Writing Double: Women’s Literary Partnerships, by Bette London, 347-349
Ann Ardis

Virginia Woolf in the Age of Mechanical Reproduction, edited by Pamela L. Caughie, 349-350
Christine Froula

Virginia Woolf and the Great War, by Karen L. Levenback, 350-353
Patricia M. Feito

Dorothy Richardson’s Art of Memory: Space, Identity, Text, by Elisabeth Bronfen, 353-355
Jean Radford

From the Editor, 5-8
Holly Laird

Archives

“The Sentinel”: Rebecca West’s Buried Novel, 9-26
Kathryn Laing

Articles

George Egerton and the Project of British Colonialism, 27-55
Iveta Jusová

Disdained and Disempowered: The “Inverted” New Woman in Rhoda Broughton’s Dear Faustina, 57-79
Patricia Murphy

Anzia Yezierska, Immigrant Authority, and the Uses of Affect, 81-104
JoAnn Pavletich

Sappho’s Legacy: The Collaborative Testimony of Olga Broumas and T Begley, 105-120
Claudia Ingram

Who’s Afraid of Mala Mousi? Violence and the “Family Romance” in Anjana Appachana’s “Incantations,” 121-136
Suvir Kaul

Reviews

Radical Mansfield: Double Discourse in Katherine Mansfield’s Short Stories, by Pamela Dunbar, 137-139
Sydney Janet Kaplan

Bone Deep in Landscape: Writing, Reading, and Place, by Mary Clearman Blew, 139-140
Gregory L. Morris

The World Wars Through the Female Gaze, by Jean Gallagher, 140-143
D. Britton Gildersleeve

Queer Poetics: Five Modernist Women Writers, by Mary E. Galvin, 143-145
T. Allen Culpepper

The Lady Cornaro: Pride and Prodigy of Venice, by Jane Howard Guernsey, 146-148
Betty Rizzo

Willa Cather: Queering America, by Marilee Lindemann, 148-151
Jeane Harris

The Web of Iniquity: Early Detective Fiction by American Women, by Catherine Ross Nickerson, 151-154
Andrea Bradley

To Live in the Center of the Moment: Literary Autobiographies of Aging, by Barbara Waxman, 154-156
Anne M. Wyatt-Brown