From the Editor, 239-242
Holly Laird

Articles

On Not Being La Malinche: Border Negotiations of Gender in Sandra Cisneros’s “Never Marry a Mexican” and “Woman Hollering Creek,” 243-271
Jean Wyatt

Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form, 273-293
Jonathan Crewe

“Oedipal with a Vengeance”: Narrative, Desire, and Violence in Luisa Valenzuela’s “Fourth Version,“ 295-307
Mary Janell Metzger

The Three Faces of June: Anaïs Nin’s Appropriation of Feminine Writing, 309-324
Lynette Felber

Between Science and the “New Psychology”: An Examination of     H. D.’s Sociohistorical Consciousness, 325-345
Suzanne Young

Archives

H. D.’s Majic Ring, 347-362
Helen Sword

Reviews

The Dialect of Modernism: Race, Language, and Twentieth-Century Literature, by Michael A. North; Bordering on the Body: The Racial Matrix of Modern Fiction and Culture, by Laura Doyle; No Man’s Land: The Place of the Woman Writer in the Twentieth Century, Volume III: Letters From the Front, by Sandra M. Gilbert and Susan Gubar, 363-369
Ann Ardis

Better Red: The Writing and Resistance of Tillie Olson and Meridel LeSueur, by Constance Coiner; Protest and Possibility in the Writing of Tillie Olsen, by Mara Faulkner, O.S.B., 370-374
Lillian S. Robinson

The Dream and the Dialogue: Adrienne Rich’s Feminist Poetics, by Alice Templeton, 375-376
Suzanne Juhasz

Body and Soul: Essays on Medieval Women and Mysticism, by Elizabeth Alvilda Petroff, 376-377
Roberta Davidson

Handmaid of the Holy Spirit: Dame Eleanor Davies, Never Soe Mad a Ladie, by Esther S. Cope; Visionary Women: Ecstatic Prophecy in Seventeenth-Century England, by Phyllis Mack, 377-381
Teresa Feroli

Nobody’s Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820, by Catherine Gallagher, 381-383
George Haggerty

Written By Herself: Literary Production by African American Women, 1746-1892, by Frances Smith Foster; Minnie’s Sacrifice, Sowing and Reaping, Trial and Triumph: Three Rediscovered Novels by Frances E. W. Harper, edited by Frances Smith Foster, 384-387
Maryemma Graham and Gina Rossetti

Conversions and Visions in the Writings of African-American Women, by Kimberly Rae Connor, 387-389
Kimberly N. Brown

The Real Life of Mary Ann Evans: George Eliot, Her Letters and Her Fiction, by Rosemarie Bodenheimer, 389-390
Christine L. Krueger

The Christina Rossetti Exhibition, National Portrait Gallery, London, 391-392
Joseph A. Kestner

The Apparitional Lesbian: Female Homosexuality and Modern Culture, by Terry Castle, 392-395
Sharon Marcus

The Practice of Love: Lesbian Sexuality and Perverse Desire, by Teresa de Lauretis, 395-397
Paula Bennett

From the Editor, 7-9
Holly Laird

Articles

Forum: On Collaborations: Part II

Preface, 11-18
Holly Laird

What is the Subject? Speaking, Silencing, (Self) Censorship , 19-37
Darlene Dralus and Jen Shelton

Escribiendo yo, escribiendo ella, escribiendo nosotros: On Co-Laboring, 39-49
Electa Arenal and Stacey Schlau

Writing from the Trenches: Women’s Work and Collaborative Writing, 51-57
Janice Doane and Devon Hodges

“All Concord’s Born of Contraries”: Marital Methodologies, 59-64
Linda Hutcheon and Michael Hutcheon, M. D.

“No Mine and Thine but Ours”: Finding “M. Barnard Eldershaw,” 65-75
Maryanne Dever

Of Needles and Pens and Women’s Work, 77-93
Kathryn R. King

A Fin-de-Siècle Beauty and the Beast: Configuring the Body in Works by “Graham R. Tomson” (Rosamund Marriott Watson), 95-121
Linda K. Hughes

Sarah Grand and the Critical Establishment: Art for [Wo]man’s Sake, 123-148
Marilyn Bonnell

Breaking the Bonds of Discretion: Baroness Elsa and the Female Sexual Confession, 149-166
Irene Gammel

Reviews

Elizabeth Bishop’s Poetics of Intimacy, by Victoria Harrison; Elizabeth Bishop: The Restraints of Language, by C. K. Doreski, 167-170
Marilyn May Lombardi

Subjectivity, Identity, and the Body: Women’s Autobiographical Practices in the Twentieth Century, by Sidonie Smith, 170-173
Olivia Frey

Changing Subjects: The Making of Feminist Literary Criticism, edited by Gayle Green and Coppélia Kahn, 173-175
Diane P. Freedman

Autobiographics: A Feminist Theory of Women’s Self-Representation, by Leigh Gilmore, 175-177
Rebecca Dakin Quinn

The Lonely Mirror: Italian Perspectives on Feminist Theory, edited by Sandra Kemp and Paola Bono, 177-178
Guiliana Minghelli

Curved Thought and Textual Wandering: Gertrude Stein’s Postmodernism, by Ellen E. Berry; Rescued Readings: A Reconstruction of Gertrude Stein’s Difficult Texts, by Elizabeth Fifer, 179-82
Jane Palatini Bowers

The In-Between of Writing: Experience and Experiment in Drabble, Duras, and Arendt, by Eleanor Honig Skoller, 182-184
Karen Kaivola

The Oxford Guide to British Women Writers, by Joanne Shattock, 184-186
Joseph A. Kestner

The Reader’s Repentance: Women Preachers, Women Writers, and Nineteenth-Century Social Discourse, by Christine L. Krueger, 186-189
Jane Curlin

This Strange Society of Women: Reading the Letters and Lives of the Woman’s Commonwealth, by Sally L. Kitch, 189-191
Mary Tiryak

The Passion of Emily Dickinson, by Judith Farr, 191-193
Elizabeth A. Petrino

The Dragon’s Blood: Feminist Intertextuality in Eudora Welty’s “The Golden Apples,”  by Rebecca Mark, 193-195
Ruth D. Weston