Fall 1993, Vol. 12, No. 2

From the Editor, 199-202
Holly Laird


Forum: Is There an Anglo-American Feminist Criticism?

Preface, 203-208
Laura Doan and Holly Laird

Grey Suits and Black Leather Jackets: or, Is There an Anglo-American Feminist Criticism?, 209-222 Marilyn Butler

Is There an Anglo-American Feminist Linguistics, 223-227
Deborah Cameron

The Professional Fix: Anglophone Feminist Criticism in National Contexts, 229-240
Cora Kaplan

Anglo-American Difference: Some Thoughts of an Aging Feminist, 241-245
Janet Todd

Relational Epistemology and the Question of Anglo-American Feminist Criticism, 247-261
Susan Stanford Friedman

(White) Anglo-American Feminism in Non-US/Non-us Space, 263-270
Felicity A. Nussbaum

Tangled Histories: Indian Feminism and Anglo-American Feminist Criticism, 271-278
Ania Loomba

Hegemony and “Anglo-American Feminism”: Living in the Funny House, 279-287
Shirley Geok-lin Lim

Djuna Barnes and T. S. Eliot: Authority, Resistance, and Acquiescence, 289-313
Miriam Fuchs

“Drowned in a Willing Sea”: Freedom and Drowning in Eliot, Chopin, and Drabble, 315-332
Helen V. Emmitt

Review Essay

Contradictions: Tracking Adrienne Rich’s Poetry, 333-340
Alice Templeton


Feminism, Utopia, and Narrative, edited by Libby Falk Jones and Sarah Webster Goodwin, 341-344
Rachel Trubowitz

Fictions of Authority: Women Writers and Narrative Voice, by Susan Sniader Lanser, 344-346
Molly Hite

Voices of Their Own: Contemporary Spanish Narrative by Women, by Elizabeth J. Ordóñez; Talking Back: Toward a Latin American Feminist Literary Criticism, by Debra A. Castillo, 347-350
Linda E. Chown

Virginia Woolf and War: Fiction, Reality and Myth, edited by Mark Hussey; Virginia Woolf and Postmodernism: Literature in Quest and Question of Itself, edited by Pamela L. Caughie, 351-54
Alison Booth

The Reading of Silence: Virginia Woolf in the English Tradition, by Patricia Ondek Laurence, 354-356
Suzette Henke

Desire and Truth: Functions of Plot in Eighteenth-Century Novels, by Patricia Meyer Spacks; The “Other” Eighteenth-Century: English Women of Letters, 1660-1800, edited by Robert W. Uphaus and Gretchen M. Foster; Their Father’s Daughters: Hannah More, Maria Edgeworth, and Patriarchal Complicity, by Elizabeth Kowaleski-Wallace, 357-359
Mary Anne Schofield

How Will the Heart Endure: Elizabeth Bowen and the Landscape of War, by Heather Bryant Jordan, 360-361
Celia Patterson

Emily Dickinson: Woman Poet, by Paula Bennett; Dickinson and the Boundaries of Feminist Theory, by Mary Loeffelholz, 361-363
Elizabeth A. Petrino

Masks Outrageous and Austere: Culture, Psyche, and Persona in Modern Women Poets, by Cheryl Walker, 363-366
Rhonda Pettit

The Desire to Desire: The Woman’s Film of the 1940s, by Mary Ann Doane; Femmes Fatales: Feminism, Film Theory, Psychoanalysis, by Mary Ann Doane, 367-369
Roberta Davidson

Spring 1993, Vol. 12, No. 1

From the Editor, 7-11
Holly Laird


Introduction, 13-29
Moira Ferguson

The Unpublished Poems of Ann Yearsley, 31-46
Edited by Moira Ferguson


Unladylike Polemics: Christine de Pizan’s Strategies of Attack and Defense, 47-59
Christine Moneer Laennec

The Case of Mary Carleton: Representing the Female Subject, 1663-73, 61-83
Mihoko Suzuki

The (M)Other Battle of World War One: The Maternal Politics of Pacifism in Rose Macaulay’s Non-Combatants and Others, 85-101
D. A. Boxwell

Intersexions: Gender Metamorphosis in Angela Carter’s The Passion of New Eve and Lois Gould’s A Sea-Change, 103-118
Roberta Rubenstein


New Women, New Novels: Feminism and Early Modernism, by Ann L. Ardis; Sexual Anarchy: Gender and Culture at the Fin de Siècle, by Elaine Showalter, 119-122
Susan Fraiman

H. D. and Freud: Bisexuality and a Feminine Discourse, by Claire Buck; Rich and Strange: Gender, History, Modernism., by Marianne DeKoven; Penelope’s Web: Gender, Modernity, and H. D.’s Fiction, by Susan Stanford Friedman; H. D.: The Poetics of Childbirth and Creativity, by Donna Krolik Hollenberg, 122-127
Anne Ardis

H. D.’s Freudian Poetics: Psychoanalysis in Translation, by Dianne Chisholm, 128-130
Rose Lucas

Refiguring Woman: Perspectives on Gender and the Italian Renaissance, edited by Marilyn Migiel and Juliana Schiesari; Contemporary Women Writers in Italy: A Modern Renaissance, edited by Santo L. Aricò, 131-134
Giuliana Minghelli

From Sin to Salvation: Stories of Women’s Conversions, 1800 to the Present, by Virginia Lieson Brereton; The Work of Self-Representation: Lyric Poetry in Colonial New England, by Ivy Schweitzer, 134-138
Elizabeth Jane Wall Hinds

Women on the Color Line: Evolving Stereotypes and the Writings of George Washington Cable, Grace King, Kate Chopin, Anna Shannon Elfenbein, 139-140
Caroline Gebhard

Conflicting Stories: American Women Writers at the Turn into the Twentieth Century, by Elizabeth Ammons; Labor and Desire: Women’s Revolutionary Fiction in Depression America, by Paula Rabinowitz, 140-142
Mary Tiryak

Folk Roots and Mythic Wings in Sara Orne Jewett and Toni Morrison, by Marilyn Sanders Mobley, 143-144
Ann Romines

Reading and Writing Women’s Lives: A Study of the Novel of Manners, edited by Bege K. Bowers and Barbara Brothers; Fictions of Modesty: Women and Courtship in the English Novel, by Ruth Bernard Yeazell, 145-47
Jane Curlin

George Sand: Writing for Her Life, by Isabelle Hoog Naginski, 147-148
Jane A Nicholson

Reconstructing Desire: The Role of the Unconscious in Women’s Reading and Writing, by Jean Wyatt, 149-150
Diane Price Herndl

A Lure of Knowledge: Lesbian Sexuality and Theory, by Judith Roof, 150-151.
George E. Haggerty

Rape and Representation, edited by Lynn A. Higgins and Brenda R. Silver, 152-153
Sharon Marcus

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]