From the Editor, 7-11
Holly Laird
Archives
Ann Yearsley and the Politics of Patronage, The Thorp Arch Archive: Part II, 13-56
Frank Felsenstein
Articles
Lesbian Criticism and Feminist Criticism: Readings of Millenium Hall, 57-80 [abstract]
Sally O’Driscoll
Bachelors and “Old Maids”: Antirevolutionary British Women Writers and Narrative Authority after the French Revolution, 81-98 [abstract]
Lisa Wood
“So Minute and Yet So Alive”: Domestic Modernity in E.H. Young’s William, 99-120 [abstract]
Stella Deen
Mad and Modern: A Reading of Emily Holmes Coleman and Antonia White, 121-147 [abstract]
Kylie Valentine
Homoerotics of Influence: Eudora Welty Romances Virginia Woolf, 149-171 [abstract]
Shameem Black
“The Hero is Married and Ascends the Throne”: The Economics of Narrative End in Shirley Jackson’s We Have Always Lived in the Castle, 173-191 [abstract]
Honor McKitrick Wallace
Review Essay
Yes, Miss Burney, 193-201
Betty Rizzo
Reviews
Feminism Beyond Modernism, by Elizabeth A. Flynn, 203-206
Margaret D. Stetz
Melanie Klein, by Julia Kristeva, 206-209
J. M. Baker, Jr.
Rethinking Women’s Collaborative Writing: Power, Difference, Propery, by Lorraine York, 209-211
Janice Doan and Devon Hodges
Influencing America’s Tastes: Realism in the Works of Wharton, Cather and Hurst, by Stephanie Lewis Thompson, 211-214
Michael H. Berglund
Jane Austen and the Theatre, by Penny Gay, 214-216
Maria H. Frawley
Suniti Namjoshi: The Artful Transgressor, by C. Vijayasree, 216-217
Ruth Vanita
Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction, by Debra Rae Cohen, 218-219
Geneviève Brassard
Eat My Words: Reading Women’s Lives Through the Cookbooks They Wrote, by Janet Theophano, 220-221
Patricia Moran
