REDEFINING MARGINALITY
From the Editor, 7-11
Holly Laird
Story
My Momma Spoils Me, 13-15
Laura Freixas, translated by Lou Charnon-Deutsch
Articles
Fetal Voices: Speaking for the Margins Within, 17-30
Susan M. Squier
The Rhetoric and Politics of Marginality: The Subject of Phillis Wheatley, 31-45
Helen M. Burke
Flush and the Literary Canon: Oh where oh where has that little dog gone?, 47-66
Pamela L. Caughie
Can Cultured Reading Read Culture? Toward a Theory of Literary Incompetence, 67-77
Russell J. Reising
The Spinster in the House of American Criticism, 79-91
Caroline Gebhard
Domesticity and Uncanny Kitsch in “The Rime of the Ancient Mariner” and Frankenstein, 93-108
Sarah Webster Goodwin
Re-Placing the Margin: (Non)Representations of Colonialism in Hannah Arendt’s The Origins of Totalitarianism, 109-120
Norma Claire Moruzzi
Defining Marginality?, 121-130
Jonathan Crewe
Reviews
Untold Sisters: Hispanic Nuns in Their Own Works, by Electa Arenal and Stacey Schlau, 133-134
Elizabeth J. Ordóñez
Plotting Women: Gender and Representation in Mexico, by Jean Franco, 135-137
Audrey Mitchell Wick
Spider Woman’s Granddaughters: Traditional Tales and Contemporary Writing by Native American Women, edited by Paula Gunn Allen, 137-139
Audrey Mitchell Wick
Stories by Contemporary Irish Women, edited by Daniel J. Casey and Linda M. Casey; Territories of the Voice: Contemporary Stories by Irish Women Writers, edited by Louise DeSalvo, Kathleen Walsh D’Arcy, and Katherine Hogan, 139-142
Victor Luftig
A History of Their Own: Women in Europe from Prehistory to the Present, by Bonnie S. Anderson and Judith P. Zinsser, 142-145
Robert Spoo
Married Women’s Separate Property in England, 1660-1833, by Susan Staves, 145-147
Deborah Kaplan
Jane Austen’s Manuscript Letters in Facsimile, edited by Jo Modert; The Stanford Companion to Victorian Fiction, by John Sutherland, 147-150
Joseph A. Kestner
Andromeda’s Chains: Gender and Interpretation in Victorian Literature and Art, by Adrienne Auslander Munich; Gendered Interventions: Narrative Discourse in the Victorian Novel, by Robyn R. Warhol, 151-153
Lynn Alexander
Sara Coleridge, A Victorian Daughter: Her Life and Essays, by Bradford Keyes Mudge, 153-155
Scott Simpkins
